more artworks from this artist

Morphosis Beverly Building Triptych

1998 / 2012 JOK04
Morphosis Beverly Building Triptych
Sizes:
3 x (23.6 x 10.2)
3 x (47.2 x 20.5)
Select finishing/framing:
Mounted under acrylic glass
depth 0.08" glossy, frameless, (3x), 23.6 x 10.2" (External dimensions) On premium paper (glossy) not mounted or framed. Shipped rolled.
depth 0.08" glossy, frameless, (3x), 23.6 x 10.2" (External dimensions)
Select finishing/framing:
Mounted under acrylic glass
depth 0.08" glossy, frameless, (3x), 47.2 x 20.5" (External dimensions) On premium paper (glossy) not mounted or framed. Shipped rolled.
depth 0.08" glossy, frameless, (3x), 47.2 x 20.5" (External dimensions)
page.detail.shipment.estimation.sale-item
Plus tax and $ 19.90 in shipping.

READY TO HANG

Out of the box, all LUMAS artworks are ready and easy to hang.

SECURELY PACKAGED

LUMAS works are always packed to the highest standard to make sure it arrives as perfectly as it leaves us.

ARTIST SUPPORTED

Your purchase supports the free and independent work of your favorite artist.

EXTENDED RIGHT OF RETURN

Say it with art. Because of the Christmas season, we have extended your right of return until January 10th!



BACKGROUND INFORMATION
Jenny Okun - Photographic Compositions of Architectural Diversity

The works of American artist Jenny Okun bring together two positions of modern aesthetics  – cubism and architectural photography. The image series she creates are compositions of multiple shots of the architecture of specific buildings. The photographic technique alone ensures the extraordinary nature of these remarkably abstract pictures, which combine both aesthetic design and analytical vision across the image space.
By bringing together overlapping shots of architecture on a film strip, Okun creates a continuum of piercing abstract geometric forms and surfaces. As with her illustrious role models Picasso, Braque, Gris and Leger, the image content is divided up into diverse cubist perspectives and is then transformed into pure abstraction through the medium’s transparency and powerful aesthetic. The emphasis on graphics and the dynamic combination of simple geometric forms is reminiscent of the Suprematism images. By using architecture to generate her images and give them an energetic form, Okun is following in a rich tradition of art history. It was Le Corbusier, after all, who first transformed the transparency and powerful aesthetic of cubism into modern architecture.

Stephan Reisner
VITA
1953Born in the USA
1971Studied painting, photography, and filmmaking at Wimbledon School of Art, Chelsea School of Art and Slade School of Art, USA
Studios in London, UK and Los Angeles, USA