more artworks from this artist

Longnose skate

1995-2001 / 2007 HHO21
Sizes:
23.6 x 15.7
59.1 x 39.4
Select finishing/framing:
Floater frame Basel
profile width: 0.59", with backing, Canadian Maple, Natural, 25.4 x 17.5" (External dimensions) On premium paper (matte) not mounted or framed. Shipped rolled.
profile width: 0.59", with backing, Canadian Maple, Natural, 25.4 x 17.5" (External dimensions)
Select finishing/framing:
Floater frame Basel
profile width: 0.59", with backing, Canadian Maple, Natural, 60.8 x 41.1" (External dimensions) On premium paper (matte) not mounted or framed. Shipped rolled.
profile width: 0.59", with backing, Canadian Maple, Natural, 60.8 x 41.1" (External dimensions)
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Plus tax and $ 29.90 in shipping.

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BACKGROUND INFORMATION
AQUATICS 


Henry Horenstein (*1947) has been a popular figure and teacher in American photography for a long time, spreading his influence to a myriad of admirers and practitioners of the art, including Nan Goldin, for example, who was one of his students. Among his teachers were also the master photographers Harry Callahan and Aaron Siskind.  Since the 1970’s he has been teaching at the famous Rhode Island School of Design.  His curriculum vita documents more than 30 books and countless exhibitions in museums and galleries at home and abroad.  Describing his animal photographs the newspaper Boston Globe writes: "Henry Horenstein creates quasi-abstract forms of creatures."  Not only his series "Creatures" with land animals, but also his photographs "Aquatics" of underwater creatures, are central contributions to today's animal photography.  His works are painstaking, precise, and soulful at the same time. “Ten years ago, for no discernible reason, I began photographing land and sea animals and produced books called CREATURES, CANINE, and AQUATICS. As the work progressed, I moved closer and closer so I could see my subjects more intimately. This way of working felt very different than photographing people, places, and events as a documentary photographer; it was far more peaceful, relaxing, and introspective. And it required a lot more patience. Photographing the human body was simply a natural extension of this direction.In all these photographs my goal is very basic. I want to make fundamentally good pictures – well-crafted photographs that make you stop and look and maybe reflect. Beyond that, I have no grand design, no hidden or overt agenda. You can choose to see these pictures in any way you want, as graphic images, as metaphors, or even as documents. It really doesn't matter to me.”


Henry Horenstein
VITA
1965-69University of Chicago, History Major
1967University of Warwick (England)
Study with Historian E.P. Thompson
1968Summer Workshop, Arlington, MA
Study with Minor White
1970-73Rhode Island School of Design
MFA, Photography (1973)
BFA, Photography (1971)
Study with Harry Callahan and Aaron Siskind
1974-76Instructor, Photography, Harvard University, Cambridge, MA
Since 1975Free-lance photographer and author
1976-78Instructor, Photography, University of Massachusetts, Boston, MA
1979-85Creative consultant, Polaroid Corporation, Cambridge, MA           
1981-94Part-time faculty, Photography and Illustration: Rhode Island School of Design
1989Visiting Faculty, Cooper Union, New York, NY
Since 1994Professor, Photography: Rhode Island School of Design