more artworks from this artist

lost identity of value III

2010 / 2012 SYB08
lost identity of value III
Sizes:
15.7 x 15.7
31.5 x 31.5
Select finishing/framing:
Photo mount frame Hamburg
profile width: 0.79", Canadian Maple, Brown, 25.2 x 25.2" (External dimensions) profile width: 1.18", Ebony, 24.4 x 24.4" (External dimensions) On premium paper (matte) not mounted or framed. Shipped rolled.
profile width: 0.79", Canadian Maple, Brown, 25.2 x 25.2" (External dimensions)
Select finishing/framing:
Photo mount frame Hamburg
profile width: 0.79", Canadian Maple, Brown, 44.9 x 44.9" (External dimensions) profile width: 1.18", Ebony, 41.7 x 41.7" (External dimensions) On premium paper (matte) not mounted or framed. Shipped rolled.
profile width: 0.79", Canadian Maple, Brown, 44.9 x 44.9" (External dimensions)
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BACKGROUND INFORMATION
Optical Adventure

The works by Sun Young Byun prove that painting can hold its own against interior design prove. The Korean artist playfully mixes Asian and European patterns, confusing our typical orientation and thus readying us for an optical adventure. This journey flowers out of an overflow of styles: a calendar with Pop Art images by Roy Lichtenstein on a violet and pink flowered wallpaper, next to that a chair upholstered in budding blooms. A small table with grandmother’s white crocheted tablecloth bedecked with family photos, the characters in which Byon reveals only as white cut-out silhouettes. Of all things, the houseplants also remain white and look as they have been cut from the picture; these are empty spaces among the room’s opulent ornamentation.

As early as her painting studies, Sun Young Byun distanced herself from traditional motifs such as still lifes to search instead for everyday objects for her images that did not necessarily need to be carefully arranged. The more she tried to unjudgmentally combine opposites such as art and the everyday, luxury items and kitsch, the more experimental her selections and her way of dealing with the objects became. She began to turn an entire system of values on its head.

In her current works she plays with unusual perspectives of interior spaces. She conjures furniture, wallpapers, objects like vases and wall calendars, carpets, and doors into a mutual two-dimensional existence on the canvas. No perspectival sight lines or constructed back- and foreground divide or organize the colorful objects. Following the ideals of French legend Matisse, colorful effects and surface patterns weave themselves into a spectacular visual quilt. The perspectival illusion disappears because the artist dispenses with sharp dividers, constructed vanishing lines, and framing shadows, flooding the eye with decoration.

Idealism and reality, dream and everyday life begin to overlap in these unusual images. Sun Young Byun masterfully conducts the most varied traditions, cultures, and styles in a harmonious composition, an aesthetic challenge with new symbolic power.

Christina Wendenburg
VITA
1967born in Seoul, South Korea
1986Seoul Art High School, Seoul, South Korea
1991 BFA, Hong-Ik University, Painting Department, Seoul, South Korea
1994   
MFA, Hong-Ik University, Painting Department, Seoul, South Korea
1996   
teaching assistant, Cranbrook Academy of Art, Bloomfield Hills, Michigan, USA
1997   
MFA, Cranbrook Academy of Art, Bloomfield Hills, Michigan, USA
1997-1999  
professor, Savannah College of Art & Design, Savannah, Georgia, USA
2001-2003  
instructor, Seoul Women’s University, Painting Department, Seoul, South Korea
2001  
instructor, Hong-Ik University, Printmaking Department, Seoul, Südkorea
2000-03   
instructor, Hong-Ik University, Painting Department, Seoul, South Korea
2004-06   
Extraordinary Professor, Seoul Women’s University, Painting Department, Seoul, South Korea
since 2003       instructor, Dong-Guk University, Painting Department, Seoul, South Korea

lives and works in Seoul, South Korea