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2015 / 2015 PDA37
Sizes:
23.6 x 20.5
Price will rise
47.2 x 40.9
Bestseller
63.0 x 54.3
Select finishing/framing:
Mounted under acrylic glass
depth 0.08" glossy, frameless, 23.6 x 20.5" (External dimensions) profile width: 0.79", with acrylic glass glossy, Glossy Black, 25.7 x 22.6" (External dimensions) On premium paper (glossy) not mounted or framed. Shipped rolled.
depth 0.08" glossy, frameless, 23.6 x 20.5" (External dimensions)
Select finishing/framing:
Mounted under acrylic glass
depth 0.08" glossy, frameless, 47.2 x 40.9" (External dimensions) profile width: 0.79", with acrylic glass glossy, Glossy Black, 49.4 x 43.1" (External dimensions) On premium paper (glossy) not mounted or framed. Shipped rolled.
depth 0.08" glossy, frameless, 47.2 x 40.9" (External dimensions)
Select finishing/framing:
Mounted under acrylic glass
depth 0.08" glossy, frameless, 63.0 x 54.3" (External dimensions) profile width: 0.79", with acrylic glass glossy, Glossy Black, 65.1 x 56.5" (External dimensions)
depth 0.08" glossy, frameless, 63.0 x 54.3" (External dimensions)
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Plus tax and $ 19.90 in shipping.

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BACKGROUND INFORMATION
Penelope Davis employs a photogram technique on color paper to visualize the complex procedure with which she transforms her source material, “book.” The artist states: “The final images are not simply photographs but rather the visible result of a process – a chain of transformations and inversions – whose completion represents an object far removed from its origin.”
Horst Klöver


TRANSFORMATIONS

In the beginning was the book...Penelope Davis (*1963) collects old volumes and “pours” them in silicon molds, filling these with a type of resin so that after the resin hardens the recreated books appear like glass objects. Davis subsequently treats each “glass book” with colored gels and adds additional color filters in the darkroom. Then Davis exposes the books with a photogram technique on color paper. Her densely atmospheric, mysterious images are thus created completely without the use of a camera. The artist says about her work: “The final images are not simple photographs but record a process – a chain of transformations and inversions – that creates the trace of an object many steps removed from its origin.”

VITA
1963born in Melbourne, Australia
1985 Bachelor of Arts, University of Melbourne
1989Certificate of Illustrative Photography, Photography Studies College, Melbourne
1997Post-Graduate Diploma in Fine Art, Victorian College of the Arts, Melbourne
2007Master of Fine Art, Victorian College of the Arts, Melbourne